The Magical Spice of the Gingerbread House

Perhaps the real spice in ginger is its magic, similar to the sparkle more in evidence this time of year than during other seasons. Resembling ginger’s spice, there is a warming of hearts and sometimes, even the healing of them. Of course, that’s where the magic is.

Ginger, and in particular gingerbread, has been associated with Christmas since the 17th century when gingerbread became a popular art form across Europe. It was in the 1800s when the Germans began baking and building gingerbread (lebkuchen) houses.

Hansel 1214The popularity of these houses coincided with the publication of a Grimm’s fairytale about “Hansel and Gretel,” two children who could not resist eating a gingerbread house. Very few people ever have, young or old.

Gingerbread houses are still associated with the holidays, a remembrance of one way the magic is celebrated. After all, gingerbread houses have their own kind of magic, rather like the hearts of children in any season but during Christmas, well….

You can see it in their eyes every day of the season, reflected in the soft glow of colored lights, mirrored in the round, red baubles hanging from the branch of a Christmas tree.

If you are fortunate enough to catch a child’s image in a bulb, you might also look more closely into what the ornament reveals for you. It is not as if the magic excludes.

It is as if we are once again that child in stolen moments wondering just what awaits us. Perhaps wishing for a certain gift or just being dazzled by the sparkle of everywhere we look. The scent of the freshly cut tree, an aroma reserved for one time of year only.

As an adult I may be mostly Buddhist but I delight in remembering the Christmases of holiday seasons past. Also, IGretel 1214 am almost child-like in enjoying the wonders of this giving season, be it gingerbread houses or their creators with their works in progress.

For me, there is no greater love than in the eyes of these two children, my great-niece and great-nephew. In their home, they carry on their family tradition of celebrating Christmas. They share it with me—some 2,000 miles away—courtesy of their grandmother’s love—and her camera.

The Artist 1214Every time I look at these photos, it is Christmas.

And yes, there is my naïve hope that the heart of the giving season—the magic that the heart of a child knows—will stay as the heart of the world this year and not be boxed up with the shiny bulbs and colored lights.

We can hold onto the spirit of the season—there is no need to keep it locked away for another year—its spice will sustain us, heal us like the ginger so necessary for a gingerbread house.

The spirit opens our hearts in ways we find difficult—even impossible–during other seasons. Increasingly, we are weary of the shininess of the season yet we thrill to the glow of colored lights, imagining lives behind windows in gingerbread houses, as if magic only lived in the imagination.

It does not. It lives within our hearts.

Any child can remind us on any day. It is for us to return to a moment in our lives–maybe it’s Christmas or maybe it’s not–when we believed in magic, the spice that heals.

Gingerbread houses 1214

 

A Little Night-Morning Musing on Magic

Magic has properties, rules that govern it, but with magic, just when we believe what we are seeing, something else is revealed. It is as if the more aware we are, the more the magic reveals.

Murky Shell 0514That seems a bit murky yet that is precisely as it should be. Magic is elusive, restless even, for it is and it is not. What is tangible in magic regardless of ritual, symbol, or illusion is technique.

Technique is the mechanism of the magician, the means to an end, for there is always an end. The grand illusion that is life is a mixture of individual experience and human nature, the unknown shrouded in the mist of the known.

The realm of magic is murky by design so that it is able to remain on the cusp of believable.

Often, I visit magic in the hours when a day ends and begins. These hours when night and morning are dark seem suited to illusion.

This time of in-between, as night becomes morning, are restless hours for one is not yet another. I, too, am murky in my mind, dull with the day that has ended, not yet open to the day that has begun.

By the light of my laptop screen, I sometimes surf the Internet, not for substance for I do not wish to engage but rather, I am content to float in and out of websites. On some nights, I visit  an online solitaire game that offers magic.

At first glance, it is traditional solitaire: seven piles of cards, some face up and some not, red on black, black Perfect Shell 0514on red, and four aces at the top. Then, the illusion begins. Magic is given freely and at regular intervals; neither purchase nor friend invitations are required.

Win or lose, you may play forever. Winning means advancing and receiving more magic; losing means just playing another game. There is an intricate scoring mechanism that makes the play of every card worthy of consideration.

How and where a card is played determines the number of points. Not all plays are equal—some may be undone—using magic produces a card to keep the game going but more magic may be required to win.

Ultimately, the player decides whether a game is worth continuing, whether winning is worth using magic. Life seems much the same in that regard, whether to be or to seek what may be.

Ah, once again I am far afield in my musing. Restless magic is fitting for those dark hours of night-morning yet in the light of day, it is less so.

(In a comment on a long ago post, “Do You Believe In Magic,” J.B. Whitmore offered the idea of the word magic as restless. Thank you for that. ) 

Spending My Days

Consider the essence of magic as the enchantment of the unknown, a paradox that in the words of the Tao is the “named and the nameless.” Magic appears throughout this blog so similarly to its appearance in my life or to borrow from Annie Dillard:  “How we spend our days is, of course, how we spend our lives.”

What if we spend our days creating and re-creating our lives as works of art rather than scheduling our lives by the hour, defining ourselves by the number of tasks we accomplish. Only late in my life did I come to this magic, this nuance of routine. Now, I spend my days in the experience of each moment where every minute is a way of life and not a moment on a timepiece or a task on a list.

I am not without day-to-day demands—mine is chronic illness—nor am I without the gifts that life’s demands provide, and chronic illness has its gifts, too. Of course, it took me more than thirty years to notice there were any gifts from any demands. We just don’t look for these gifts. We focus our attention only on the demands, maybe even calling attention to ourselves. Mark Nepo says “the threshold to all that’s extraordinary in life is when we devote ourselves to giving attention, not getting it. [That’s when] things come alive for us…[we] find our place in the beauty of things by the attention we can give.”

Perhaps the best measure of giving attention is how we live the routine of our days. Of late, I’ve been experimenting with routine in the larger context of creating a resilient life, which is, among other attributes, a work of art according to Dr. Symeon Rodger in The Five Pillars of Life. The process is a simple one. I record the moments of my day as they occur and not as a schedule of what must occur. There are requirements for each day—some specific tasks must be done–but there is not a plan. Within a week, I discovered a natural flow to how I spend my days as I watched them unfold, regardless of the interruptions and the unexpected. Most important, I discovered resilience and flow reside in the creative unknown.

Here is how that translates in my everyday life. The day-to-day unpredictability of my dis-ease as well as Cooper’s does not change nor does it require any more attention than juggling finances, doing the laundry, grocery shopping, writing—all requirements of my days. In focusing on each moment, I not only accomplish what is required but I complete tasks and chores that have been waiting for months. Furthermore, there is energy in everything I do as I immerse myself into each task and only that task. There is no multi-tasking for each moment belongs to itself completely. Not one day is like another nor is any day exhausting. I schedule nothing and record everything.

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I am quick “to soar with the oversoul”—Louisa May Alcott’s phrase regarding her father and the transcendentalists—and like Thoreau, I have built my “castles in the air” but few times in my life have I put “foundations beneath them” that did not crumble. Yet, in living a routine as a work of art and embracing the enchantment of the everyday, I have a foundation for my current castle in the recording of how I spend my days.

The role of voice recognition software  in my routine is nothing short of finding a new energy source.  Once I began using Dragon NaturallySpeaking, I realized how much physical energy I was expending in typing, a necessity for a writer but  one I had overlooked. Ironically, I had spent considerable time, money, and thought in creating a comfortable work space. I work from an adjustable bed that supports my entire body, and my laptop rests on a spacious tray designed for use with adjustable beds. I believed I had a comfortable way to continue writing, and it was just a matter of settling into a writing schedule but those were days devoid of enchantment and full of design.

There never was a consistent writing schedule, and increasingly, neuropathy limited the length of time that I could use a  keyboard. Finally, I took a three-week hiatus from blogging and from scheduling my days. I knew I would no longer write as I had–I didn’t know whether I would write–yet, I knew I would continue to create and re-create, and that was enough as I explored the moments of my days. Then, I discovered Dragon NaturallySpeaking, and in the initial moments of using the software, I knew life was about to change even more, and so it has. Within two days, there was also a marked decrease in my physical discomfort.

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For me, dictating my thoughts is quite different from typing thoughts on a screen using keys on a keyboard. Dictating is sending thoughts through speech; typing is the tactile sensation of selecting keys to produce words. The awareness involved  in each process is completely different, and I am allowed another perspective on creating. I find the combination quite freeing. I focus on the writing before I bring it to the screen through my voice. Then, with my fingers on the keyboard, I edit and shape the words on the screen, creating and re-creating yet another perspective on the story of how I spend my days.

“Do you Believe in Magic?”

These days, I find myself wrapped round story, magic, being—in any and every order—an entangled trio so reminiscent of a quantum entanglement known as “spooky action at a distance.”

It seems entanglement is the heart of this blog.

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The story I pursue is layered in the oneness of the 10,000 things of “the Way” (the Tao) that connects the consciousness of all always and simultaneously. That is the story of the human plane, I believe.

It is a story I want to know.

I have enrolled in a sixteen month course that offers a synthesis of the ancient traditions of the last 25 centuries including Buddhism, Taoism, and Christianity in its “original state,” meaning not according to St. Augustine of Hippo, a prospect much more exciting than it may seem. I may write a post on that but we are not there yet.

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Perhaps a more practical way to consider the course is this: the predominant Western belief of “you are your rational mind” is lacking in magic and story, at the very least, and at its very worst, it is unsustainable dogma.

That is how I see the course, and while it is early in my study, I am impressed with its evidence-based emphasis, specifically that hypothesis is not fact.

The irony of my beginning this study as my lupus moves into its own story is not lost on me; I suspect irony is frequent when one leads with the heart and not with the head. Yet, to live with an open heart and to discover what that truly means–for there is not agreement upon it or about it—is to dive deep into the head-heart connection.

Mark Nepo writes that “with your head beneath your heart, you must stop doing….Time and time again, the head must be brought beneath the heart or the ego swells” (The Book of Awakening).

Consider the entanglement of placing the head under the heart, thereby creating the “voice” of the gut. Nepo calls it, “a truth of being for a truth of being.” The resonance of the gut is like a messenger rushing through every system of our being proclaiming a resilient, “I get it!”

And resilience is rather magical but it is not magical thinking. To me, resilience lies in remembering the distinction between believing and knowing. While believing is akin to knowing, what we believe often lies in faith but not always in fact. For fact, experience provides us evidence of all we come to know.

“By opening fully to our own experience, we can feel and see the resilience of life around us” (Nepo).

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Being completely within the experience of our life–being fully present—we experience what every other life form knows: living fully means denying nothing. Being present in every moment is to experience all the moment offers, a pure opportunity to be.

Being is the magical story that the natural world celebrates completely and constantly every moment. It is a story that plays out moment by moment, a real page turner.

For those of you who want to follow my ROW80 progress, you may view it here.